MUSIC FOR FILM AND TELEVISION
This Composition for film is called Distance. This is an ambient piano work. It has been licensed to Thermal Music and BAM Music as a library work for use in film and TV productions.
https://search.thermalmusic.tv/#/search/track/date/min-max/min-max/main/t_ce272fb22c2b33b4_Distance/
This Composition for film is called AURA. It is an electronica inspired, percussive ambient work. It has been licensed to Thermal Music and BAM Music as a library work for use in film and TV productions.
https://search.thermalmusic.tv/#/search/track/date/min-max/min-max/main/t_b98cbf32052cedba_Aura/
This composition for film is called A Trepidatious Descent. It is a drone inspired horror/thriller type work. It has been licensed to Thermal Music and BAM Music as a library work for use in film and TV productions.
S O U N D INSTALLATIONS
Hati Hati
a participatory installation in which the audience is invited to engage with one another by paying attention to one another’s cardiac response, mediated by/through a closed system of HRV finger sensors and speakers
the data obtained from participants’ pulses is used live to compose soundscapes derived from a single sampled harp note, which is triggered repeatedly in distinct ways according to the cardiac changes of the participants
work developed by: aisha pagnes, robyn druiven, rob wynne-griffiths and michela amici


please be seated
using sensors to read your pulses, your hearts will play the harp
this harp is tuned to slendro, one of the main laras (scales) in Balinese and Javanese Gamelan
unlike a traditional western pentatonic scale, the five notes of slendro are almost evenly distributed in pitch within the bounds of a western octave; as such, slendro differs in tonality to western music
in Indonesian your heart is hati
hati hati is also used as a warning, meaning ‘be careful’
Road of Endurance
CARO LIDDELL
i wrote this piece of music to accompany Caro Liddell’s 2021 exhibition, ‘Road of Endurance’
the piece, entitled after Caro’s work, ‘Into the Blue’, re-contextualises some samples of Didgeridoo players using audio processing to create a drone
I then recorded a series of guitar melodies, and improvised towards a cathartic ending
